KARACHI: With the ninth edition of Coke Studio around the corner, The Express Tribune looks back at the biggest hits the show has belted out, over the years.
15. Zeb & Haniya – Laili Jaan
14. Symt & Sanam Marvi – Koi Labda
13. Mai Dhai & Atif Aslam – Kadi Aao Ni
While there aren’t many songs from the Strings era that make it to our list; Kadi Aao Ni from Season 8 is one that does deserve a spot. Mai Dhai shines in all her glory as we see glimpses of the Atif Aslam of Jalpari.
12. Rostam Mirlashari – Laila O Laila
11. Ali Zafar – Yar Daddi
10. Sajjad Ali – Kirkir Kirkir
Pop icon Sajjad Ali made his Coke Studio debut in Season 4 and gave us his signature product – an all-out entertainer; the show had not exactly had an upbeat number to offer before this.
9. Mizraab – Kuch Hai
8. Strings – Sar Kiyae
This Strings original is one of the best pop compositions to come out from Pakistan and is still as popular as it was in 1992. This Season 1 song is an early example of what Rohail Hyatt had set about to master.
7. Asif Hussain Samraat & Zoe Viccaji – Senraan Ra Baairya
6. Atif Aslam and Qayaas – Charkha Nolakha
5. Attaullah Khan Esakhelvi – Pyaar Naal
Attaullah Khan Esakhelvi graced Coke Studio in Season 4 and gave us a love song to remember. Jaffer Zaidi’s piano and accordion; Amir Azhar’s mandolin and Essakhelvi’s supplementary recital of a nazm stand out in this heartwarming number.
4. Noori & Saieen Zahoor – Aik Alif
3. Fareed Ayaz & Abu Muhammad – Kangna
2. Javed Bashir – Aj Latha Naeeo
1. Noori – Saari Raat
The two bands have interestingly been at the project for two good years. The track, Yaarian, is an ode to friendship, celebrating the cultural bond shared by the two countries. March 11 has been earmarked as its release date. The brothers are known for making music that is very personal and of their own element and have seldom teamed up with other acts to produce music. “There are quite a few people whose music I listen to but their [Hari and Sukhmani’s] music really appealed to me … there was a spark,” Noor told The Express Tribune. He said the Indian band has a very different approach to music but they somehow managed to form a working relationship. “They’re different from us but it all worked out because we made the song on drums and bass and they put the finishing touches. I think we managed to retain the essence of both the collaborators.”
Noor’s wife and veritable right hand, Mandana Zaidi, concurred. “Sukhmani’s voice added a great flavour because I’ve never heard a woman’s voice in a Noori song before,” she said. Zaidi said the entire process was carried out without the support of anyone. “It was just an effort from the artists involved,” she said. Noori is a group that itself believes in the DIY philosophy; they released an album at a time when the music industry is probably at its weakest. When they first met vocalist Sukhmani Malik and producer-vocalist Hari Singh in Dallas, US, they immediately struck a chord. “We heard their music and decided to fly to India. Once we were there, we agreed to work on a song. The song was sent back and forth and eventually they came to Pakistan for five days to shoot the video,” Zaidi added.
Separately, Noori will be flying to India for the Nations for Peace concert that will also be held on March 11. Nations for Peace will feature musicians from Bangladesh, Bhutan, Nepal, Sri Lanka, India and Pakistan come together. Yaarian will be officially released during the show. After this, a tour of different cities in Pakistan is also on the cards for the Lahore-based band.
Interestingly, this is not the first time Noori is working with an international act. In 2004, they collaborated with Indian musician, Anaida, for a single but the song never saw the light of the day. The band that has joined hands with various artists on Coke Studio in the past, feels as long as original music is being made, all is well. “People should explore their creativity and make songs about issues that something to them,” mentioned Noor.
Drawing a distinction between music shows and independent releases, he said, “Coke Studio and Nescafé Basement produce commissioned songs that have to be done for the project. We should make songs to further the art form because that is how it has always been done … that is how it should be done.” Noor said the band will also be working with Haroon from SYMT, Ali Azmat and other artists over the course of the year. “Right now I am learning how to collaborate and put out songs that aren’t just Noori-esque. The idea is to learn as well as integrate other artist’s sensibilities into our music but it’s a learning process primarly.”
Malik and Singh have been globetrotting since 2009 and collaborating with artists all over the world. Known for fusing Punjabi folk music with electronica, they a very contemporary take on traditional music. “The band’s motto is to leave behind cultural, religious, and racial divides to transform the community and the individual through happy soulful music,” reads their website.
Published in The Express Tribune, March 8th, 2016.
KARACHI: Nearly a decade and three breakups later, Noori has made a comeback to Pakistan’s music scene and fans are in love!
The band are currently touring Pakistan’s major cities. Their second stop — in the City of Lights — saw Karachiites running in droves to Ocean Mall to welcome the band’s new album Begum Gul Bakaoli Sarfarosh (BGBS) on Saturday.
When asked about his expectations from the latest album, Ali Noor told The Express Tribune, “Noori just wants to share happiness and we hope when BGBS makes people happy, they pray for us and we go places.”
The huge attendance was undoubtedly a sign that Noori still remains relevant to the country’s music scene — hundreds of people queued up just to get a signed autograph from the two singers.
If you still haven’t had a chance to grab yourself a CD of their latest album, here are eight reasons why you should definitely go and buy a copy now:
1) It’s their comeback
For us Noori was never absent from the music front as there timeless hits kept us mesmerised during their hiatus. Their much-awaited career resurgence with BGBS cements their legacy as one of the all-time greats.
2) It wraps up their trilogy
According to Ali Hamza, “Noori announced a trilogy of albums when they first released Suno Ke Main Hun Jawan in 2003″. After making waves with the second album Peeli Patti Aur Raja Jani Ki Gol Dunya in 2005, BGBS is set to give you some serious flashbacks of their signature sound.
3) It’s an investment
For all of those who missed the chance to grab their BGBS copy in a three-day whirlwind tour, not only did you miss another worthy edition to your collection, but also an opportunity to invest in yourself. Bonus: An interesting booklet (part of the album) which is an eye-opener as it takes you back to 1947 and makes you realise that it’s time to bring about a positive change in Pakistan.
4) Gaana No. 1
No it’s not a remixed version of their 2003 hit Gaana No. 1, but the first track of the new album which is titled 1947. Unees So Santaless Jab Aarzoo Jaagi Meray Man Mein — it will definitely tingle your patriotic nerve.
P.S. Ali Noor’s narrative will make you work on your diction, especially the word ‘sahar’.
5) It is bound to make you nostalgic
For us millennials, Noori’s hits were an essential part of our formative years. We played them during college gigs, listened to them during long drives and danced to them in our bedrooms. Well, BGBS takes us back to those times!
6) It will awaken the rebel in you
If Dil Ki Qasam, Ooncha, Merey Log, Nishaan and all their previous tracks left some traces of a rebel in you then Hoshiyar, Pinjra, Keedar, Sarfarosh and Mujhay Roko will definitely awaken that lost spirit.
7) It gives you a soulful rendition of the national anthem
Tears, goose-bumps and patriotic sentiments define Noori’s Saya-e-Khuda-e-Zuljalal. BGBS covers all patriotic essentials; from 1947 to our national anthem. If this powerful music can’t unite us as a nation, nothing can.
8) It’s Noori!
Do you really need any other reason other than the fact that it’s NOORI!
You can show your love and support by streaming their latest album’s songs online on Patari.
Published in The Express Tribune, October 12th, 2015.
Interestingly, there were even numbered ‘selfie tickets’ for each person who bought a CD. “You’re choosing to be a part of the music industry when you invest in a CD. The onus of breathing new life into the industry lies as much on the listener as it does on the artist,” said Ali Noor.
The intent behind the physical release of BGBS is to create a reference point for other musicians to continue creating music. “We don’t want to be affected by the fact that a corporate sponsor isn’t backing our content. We’re motivated to find ways of achieving results without sponsors,” said Ali Hamza.
Ali Ashraf, an Islamabad-based musician, who was present at the event, agreed. “Noori’s album launch has given the rest of us hope at a slow time for the music industry,” he said. “Another famous artist should release an album soon after this to keep the ball rolling.”
Ashraf himself has the content for his album ready but continues to seek sponsors as he feels the ground reality is slightly different. “It was relatively easier for Noori to release an album because they produced it in-house, which kept their costs low. Besides, had they approached sponsors, they would’ve been ready to hop on board because ‘Noori’ has a brand value. It’s not as easy for the rest of us.”
Khalid Bajwa, co-founder of Patari, who also graced the occasion, shared how the promotion of BGBS is part of a larger initiative that gives artists a chance to solely focus on the creative process. “We’ve planned out Noori’s entire marketing strategy and are developing a blueprint, where we can use this model for other artists. We want artists to only create music and we’ll take care of the rest.”
Friends and family got together to help the band burn their CDs
As for the album itself, Noori wanted it to be an aural experience, so other than amalgamating fan chants, they’ve included sound bites from radio and television archives to their record. The nine songs on the album comprise unreleased and leaked classics of the band, such as Mujhay Roko and 1947.
Kami Paul, who has tracked the drums on BGBS, has been playing with the band for two years and played a key part in evolving the band’s sound. “Kami’s groovy style of playing has allowed us to explore a new style of music and this album is more bouncy and danceable,” noted Hamza. Hassan Omer has co-produced the album and Shiraz Uppal, a close friend of the band, has mixed and mastered it. The album comes with a unique cover and 46-page booklet, depicting artwork and different themes of the content.
Designed by Hashim Ali, it also featured a page with pictures of some of the fans, who have sung on the album. It also comes with a letter, an excerpt of which reads, “It’s the age of digital downloads. We’re sure that CDs will soon become like cassettes: obsolete and archaic. However, for us, this booklet and CD are the only way you can hold our hearts physically in your hands.”
The album, copies of which the band painstakingly burned themselves, is worth Rs500 and will not be available in stores. Fans will only be able to purchase the CDs during the band’s three-day tour, starting from Lahore and ending in Islamabad, or stream it on Patari in Pakistan and on iTunes outside Pakistan.
Published in The Express Tribune, October 11th, 2015.
KARACHI: After wrapping up their fourth studio album, Viva la Vida, Coldplay took close to four years to release their next record. Wanting their next album to be “more intimate” than the preceding ones, the band re-evaluated their style of music, and the result was Mylo Xyloto — a concept album about how a fictional city is taken over by a supremacist government and the rebellion that follows.
Noori seems to have followed a similar trail, as they’re back as a more evolved band after a 10-year break. Currently on a tour promoting Begum Gul Bakauli Sarfarosh (BGBS), the two-member band recently held a preview of their next album for a limited audience.
Kicking off their mini-concert with the song Pinjra, lead singer-songwriter Ali Noor talked about the genesis of the track. Describing the song as ‘anti-Sufi’, he explained that it traverses the reality of how we’re all caged by society. “This song is a question about whether it’s right or wrong to be driven by our fear of dogma, and if we should live in this perpetual fear,” explained Noor.
With most tracks on the album dating back to nearly 15 to 20 years, Noor and Hamza shared how their third album is a sincere attempt to reach out to their loyal fan base. In contrast to the music featured on their debut album Suno Ke Main Hon Jawan, which was carefree and pop-oriented, their latest release seems to have a brooding soundtrack, especially with songs such as Aik Tha Badshah and Pinjra.
But the band clarified that even if their previous songs, such as Gana No 1, sounded like peppy numbers, they have a deeper meaning behind them. “Everybody thinks it [Gana No 1] was a fun song that people dance to. But if you listen to its lyrics, you’d realise how dark the song actually is,” said Hamza. Describing it as the “most depressing song” he has ever inscribed, Noor shared that it was inspired by a ‘vela’ guy that the brothers knew. “Not only would he waste his time but ours as well. And when I questioned him about his attitude once, he started crying and said that he considered himself to be completely incompetent,” stated Noor.
Despite the serious nature of the album, the band has managed to slip in two signature Noori sing-along anthems titled Hey Ya and 1947. Both tracks encapsulate BGBS’ central theme of rebirth, revolving around a woman who crosses the border on the eve of 1947 and is devastated after losing everything and everyone during her journey. When she arrives on this side of the border, she hears the announcement of the creation of Pakistan on the radio and feels her pain fade away, foreshadowing a new beginning in her life. BGBS is expected to release on September 30.
Published in The Express Tribune, September 22nd, 2015.